Kristin Knutson is a versatile musician praised for her "sparkling, fluid soprano with admirable flexibility" (Opera News). With a repertoire spanning the genres of opera, oratorio, and musical theatre, she maintains a special commitment to the field of Early Music. She is a founding member of the New Milwaukee Consort, with whom she appears regularly. Recent engagements include Scarlatti's L'Orfeo and Clérambault's Orphée with Indy Baroque Chamber Players and Alchemy Viols, Vivaldi's In Furore Iustissimae Irae and Non sa che sia dolore, BWV 209, with Sonata à Quattro, Frasquita in Brew City Opera's production of Carmen, Coffee Cantata and BWV 209, with Great Lakes Baroque, Ariane in the modern day premiere of Ariane et Bachus with Haymarket Opera, Ismaele in Agar et Ismaele esiliati with Haymarket Opera, and Mozart's Vesperae solennes de Dominica with Master Singers of Milwaukee. Additionally, she has appeared with the New York Philharmonic, Skylight Theatre, Florentine Opera Company, Fireside Theatre, The New Group (Off-Broadway), New York Musical Theatre Festival, Belle Ensemble, and as a finalist in the Handel Aria Competition. She is a graduate of The Juilliard School. Post-graduate training includes the Vancouver Early Music Festival’s Baroque Vocal Programme, Lute Society of America’s Vocal Program, Aspen Opera Theatre Center, and the Chautauqua Institute.